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THE SOCIAL
NETWORK
Dir. David Fincher
Columbia Pictures, 2010 120 mins
Review by Mark Camilleri
(A slightly different version of this review first appeared
on the review blog www.MarksMovieMarks.com)
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In a
nutshell
At the
very least, if you don't own a Facebook account, you'll have heard
about it, read about it in the papers or seen someone's photos on it.
In less than a decade it has mushroomed into an internet brand as
recognisable as Google and YouTube, which of course means that
somewhere, someone is extremely rich.
Why
the hype?
When I
first heard that a movie was being made about Facebook, I admit I
thought it was some laughable attempt at cashing in on its immense
popularity. But it turns out that someone had written a rather sordid
book (The Accidental Billionaires) chronicling the campus
and board-room struggle that characterised the birth of Facebook back
in 2004. When business-savvy whizz-kids stumble upon a winning
formula, and billions are at stake, you can imagine that there will
be lots of interest and intrigue when it comes to sharing the pie.
And sure enough the film's trailers promised a thriller far more
gripping than the title would suggest. The tagline is quite eloquent
- “You don't get to 500 million friends without making a few
enemies”.
Who's
in it?
Another
major reason why this film started turning heads was the man in the
director's chair. When it was announced that David Fincher was going
to call the shots, I for one realised that there must be something in
the script that has the makings of a great film. With excellent and
adored films such as Fight Club, Seven, and Zodiac
under his belt, Fincher also recently showed us how versatile he is
by helming the picture-perfect (although rather long) fairytale The
Curious Case of Benjamin Button. With him attached, the focus
then shifted to who would portray the real-life protagonists of this
very recent history. Jesse Eisenberg (Adventureland,
Zombieland) looks and sounds the part as Mark Zuckerberg.
Listed by Forbes as the world's youngest billionaire, Zuckerberg was
one of the co-founders of Facebook, and currently owns one quarter of
the empire, besides running the show. Not bad for a 25 year-old.
Andrew Garfield (Doctor Parnassus, the upcoming Never Let
Me Go, and the next Spider-man) is Eduardo Saverin, who
co-founded back in 2004 but has now left the company, under
not-so-happy circumstances. Justin Timberlake (who seems to be doing
more acting and less gyrating nowadays) rounds off the main trio as
Sean Parker, who used to be the President of the company, and who
once upon a time co-founded Napster. The real life
protagonists have all more or less distanced themselves from the
film, claiming things are blown out of proportion – but that was to
be expected considering the dirty-laundry aspect of the story.
Zuckerberg
Jesse
Eisenberg portrays the main guy with a powerful yet nuanced
performance. How much of what he injects into the character is true
is for Zuckerberg's close friends to decide, but from a normal
viewer's perspective this is definitely a fascinating character who
commands everyone's attention for the duration of the film. Fincher
doesn't hold back, and from the opening scene it is quickly
established that this is no likeable hero. He may be at his best in
front of the computer screen, but out in the open world, social
interaction is not part of his comfort zone. This is obviously very
relevant considering the virtual social network he has built for over
500 million people. Where the film excels, however, is managing to
earn our respect for Zuckerberg, despite his lack of people skills.
It's obviously assumed that the guy must be smart, but the script
breaks that down into small daily episodes that leave you with the
realisation that it was no accident why this guy, and not one of the
many other hopefuls, founded the Facebook behemoth.
His
friends list
Despite
Eisenberg ruling the film, all the other players give wonderful
performances, especially Garfield as the estranged Eduardo Saverin,
and Timberlake as the flamboyant and impressive Parker. The latter is
obviously very comfortable in his role, and he manages to show
exactly why Zuckerberg was in awe of him, and Saverin was evidently
not. The script cleverly switches between recounting the events, and
taking us through the two ensuing legal battles, which allows a
structured telling of the tale without resorting to normal voiceover
or random flashbacks. It keeps the film moving forward swiftly, and
the fact that we know where the train is heading doesn't make the
ride any less enjoyable.
In the
end
This is
one of the best films of last year, largely thanks to its fascinating
depiction of very recent history, and its sharp and clever script.
There's a mountain of memorable lines, and the witty banter and
duelling make it as exciting as any action film. Mostly, however,
it’s a brilliant depiction of a generation, and the birth of
internet giants in these years where a simple online idea can very
quickly become one of the world's biggest bands. If you're not one of
the 500 million, you can rest assured that there's a lot to be learnt
and enjoyed for everyone here, not just Facebook addicts. It's an
inspiring tale of entrepreneurship, creativity and determination, and
it's all the more impressive considering it all happened during the
past decade. The Social Network. Mark likes this.
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